CV & resume
Directing, Devising, and Producing
Freakshow by Carson Kreitzer. Director.
Women’s Theatre Festival. A new production for the virtual moment. ONLINE. upcoming May 2020
Children of a Lesser God by Mark Medoff. Director. March 2020
Woodford Theatre. Versailles, KY. CANCELED DUE TO COVID-19
Bad Dates by Theresa Rebeck. Co-Director. 2019
Scarlet Cup Theatre. Clemmons-Caldwell House. Danville, KY.
Petie by Lori Fischer (workshop production). Director. 2019
Women’s Theatre Festival of North Carolina. Burning Coal Theatre. Raleigh, NC.
Barbie Throws a House Party! by Catherine Weingarten. Director. 2019
Voices HEaRd/The Girl Project. Pam Miller Downtown Arts Center. Lexington, KY.
The Wolves by Sarah Delappe. Guest Director. University of Kentucky 2017
Department of Theatre and Dance. Guignol Theatre. Lexington, KY.
Thunderbodies by Kate Tarker (workshop production). Director and Co-Producer. 2016
North Carolina Women’s Theatre Festival. Burning Coal Theatre. Raleigh, NC.
Story Hour by Nicki Miller and ensemble. Co-Director. 2016
Only Child Aerial Theatre. The Muse, Brooklyn, NY.
This for That, ensemble-devised work. Co-director, Deviser. 2014
White Flag Performance Group. Pukaar, Pune’s 1st English Language Theatre
Festival. Pune, India.
The Sadness of Small Cakes by Rowen Haigh. Director and Producer. 2013
White Flag Performance Group and Towson University. Dreyer MFA Group Studio.
The Bear Loves Honey, ensemble-devised work. Co-director, Co-Producer, and 2013
Deviser. White Flag Performance Group. Theatre  at Baron's Theatre
(Louisville, KY); Actors Guild of Lexington (Lexington, KY); Nashville Sideshow
Fringe Festival (Nashville, TN).
Really You Should Use Bullets, ensemble-devised work. Co-director, Co-Producer, 2012
and Deviser. White Flag Performance Group. Generous Company's WordBRIDGE
Festival and Gumbo Festival at Baltimore Theatre Project (Baltimore, MD). Touring
production: Actors Guild of Lexington (Lexington, KY).
Our Weddings, ensemble-devised work. Director, Deviser, and Producer. 2011
Collage Festival at the Wolf Building; Studio 34; Mascher Space Cooperative.
Marilyn Monroe Has Sex For the Last Time with Groucho Marx by Greg Romero. 2011
Director. PIFA New Play Festival at the Kimmel Center; Plays and Players
Theater. Philadelphia, PA.
The Ugly One by Marius von Mayenburg, translated by Maja Zade. Guest Director. 2010
Centre College. Weisiger Theatre. Danville, KY.
Creditors by August Strindberg, translated by Elizabeth Sprigge. Director and 2009
Producer. Philly Fringe Festival. Studio 34. Philadelphia, PA.
Won at Last by Steele McKaye. Director. 2008
Anonymous Theatre for the Philadelphia Dramatists Center. Wilma Theater.
TEACHING AND PROFESSIONAL PRESENTATIONS
Beginning Acting. Course Instructor. 100 level. Fundamental performance skills. 2019-20
Creating Community in the Costume Shop and Beyond. Co-presenter. StateraCon. 2019
Panel presentation and group discussion/idea generation for fostering community
in all aspects of theatre study and production.
Refilling the Reservoir: Self Care for Theatre Artists. Presenter. 2019
Lecture and discussion: self-care is essential for professional success and career
longevity, but how do we fit it in? Can we cultivate self-compassion at the same time?
Southeastern Theatre Conference. Knoxville, TN.
Women’s Theatre Festival Conference. Raleigh, NC (upcoming).
Mind the Gap: Gender Parity and Career Longevity in the Theatre. Co-Presenter 2019
Data presentation and discussion of gender– and discipline–related pay gaps among
theatre practitioners in the southeast (based on survey data gathered through SETC).
Southeastern Theatre Conference. Knoxville, TN.
"Occhi Aperti" Devising Workshop. Facilitator, director, and deviser. 2018
24-hour devising intensive and experiential research in sleep deprivation to create,
refine, and structure core material for production.
Women’s Theatre Festival of North Carolina Occupy-Con. Wake Forest, NC.
Casting Space: Creating Site Specific Performance. Co-Presenter. 2018
Lecture and discussion: why choose to create site-specific performance? What are
the benefits and challenges? Can all theatre be considered site-specific?
South Eastern Theatre Conference. Mobile, AL.
Directing I. Course Instructor. 300 level. Development of fundamental creative and 2017
technical skills required to direct in the theatre. University of Kentucky Department of
Theatre and Dance. Lexington, KY.
WTF: Grassroots Organizing for Gender Parity in Theatre. Co-Presenter. 2017
Examination of gender parity in contemporary theatre and the formation of the
North Carolina Women’s Theatre Festival as a response. South Eastern Theatre
Conference. Lexington, KY.
Creating Original Choreography. Co-Presenter. Creating and refining original 2016
movement vocabulary and scores in relation to text, music, and character.
North Carolina Women's Theatre Festival.
Introduction to Theatre. Course Instructor. Introduction to theatre history, theory, 2014
and practice. Towson University Department of Theatre Arts. Towson, MD.
Introduction to Devising. Workshop Co-Instructor. Introduction to devising 2013
practices for theatre artists. Theatre . Louisville, KY.
Acting 101. Course Instructor. Monologues, scene study, and foundational 2012
performance skills. Towson University Department of Theatre Arts. Towson, MD.
Theatre Outreach Program between Towson University and the Greenmount 2011
School (6th and 8th grades). Teaching Artist. Creation of original performance
material supporting classroom curriculum in Civil War studies. Baltimore, MD.
"Our Weddings" Community Workshop in Devising. Workshop Facilitator. 2011
Devising, rehearsal, and presentation of performance exploring traditional and
alternative ideas about weddings. Studio 34. Philadelphia, PA.
Absurd French Stage. Assistant Instructor to Professor Ken Keffer. Exploration 2011
of the un-translated work of Beckett and Ionesco through practical stage
experience. Centre College Department of French. Danville, KY.
Contact Improv as Theatre Training. Workshop Presenter. Centre College 2010
Department of Dramatic Arts. Danville, KY.
Methods for Creating Movement-Based Performance. Workshop Presenter. 2010
Contacting the World Festival. Contact Theatre, Manchester, UK.
Contact Improv and Ensemble Creation. Guest Dance Instructor with the Philly 2009
Contact Collective. Swarthmore College Department of Dance. Swarthmore, PA.
Preparing for Physical Theatre Auditions. Workshop Presenter. Arcadia 2008
University Department of Theatre Arts. Glenside, PA.
MEMBERSHIPS AND AWARDS
Board Member, Kentucky Theatre Association 2019–present
Louisville Regional Coordinator, Statera Arts Mentorship Program 2018–present
Member, Strategic Planning Committee, Southeastern Theatre Conference 2018–present
Member (with White Flag Performance Group), Network of Ensemble Theatres 2018–present
Chair, Women in Theatre Committee, Southeastern Theatre Conference 2017–present
Board Member, Women’s Theatre Festival of North Carolina 2016–2017
Member, Southeastern Theatre Conference 2015–present
Founding Company Member & Co-Artistic Director, White Flag Performance Group 2011–present
Leeway Foundation Art and Change Grant Recipient: Our Weddings 2011
Participant, Director's Lab Chicago 2011
Recipient, Contact International Forum bursary, Contact Theatre, Manchester, UK 2010
Co-Founder and Core Member, Philly Contact Collective 2009–2011
Associate Member, Philadelphia Dramatists Center 2007–2011
Member, Phi Beta Kappa Society 2006–present
Towson University MFA in Theatre Arts, concentration in directing 2014
Reed College BA in Theatre, concentration in directing, graduated Phi Beta Kappa 2006